Hard ball Hardball has variously been compargond to The Bad News Bears and The mightily Ducks, but this film strives to be more than hard-hitting than each of those family-friendly, comedic efforts. A more apropos likening might be to Dangerous Minds, the flaccid, Hollywood-ized yarn of a teacher who makes a engagement to her underprivileged students. Hardball is most a reluctant baseball handler who changes the lives of his pre-teen players even as they change his perspective on his aver existence. The movie is on occasion trite, often formulaic, and frequently familiar. Surprisingly, however, at that place are times when Hardball displays many real heart, and that keeps it from beingness a complete waste of time. Keanu Reeves plays Conor ONeill, a gambling accost who is up to his neck in debt and hopeless for a authority out. A high-roller friend of his (Mike McGlone) offers him a secondary source of income - he will pay Conor $500 per hebdomad to coach a basebal l team of children living in Chicagos projects. A horrific but unenthusiastic Conor agrees. At first, his turn up to coach is perfunctory, but, as he grows to know his charges, he becomes arouse in doing what he can for them.
His apparently genuine enliven in his eleven team members attracts the attention of the kids English teacher, Elizabeth Wilkes (Diane Lane), who finds herself worn-out to Conor, some edges and all. Hardball is a sea of underdeveloped p mint candy elements. Theres a lot of rich material here, but director Brian Robbins uses it as terra firma color. Take Conors gambling problems, for exam ple - these are except a plot device by whi! ch he ends up teach the kids. When theyre no longer necessary to the story, the screenplay comes up with a means to quickly and effectively remove them. Then there are the... If you want to get a full essay, tell aside it on our website: OrderCustomPaper.com
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