Pre-1600 Styles in European Art Music :: essays research papers

Pre-1600 Styles in European Art MusicThe "old" European attitude, and the attitude that attracts many advanced(a) performers to first practice of medicine, is exactly the opposite of the modern attitude1. Music is a strictly local expression, rich in variety since each culture expresses affective differences through art, 2. Music is a poetic process--complex, vague, and irrational--based upon borrowed traditional euphonyal materials (melodies, rhythms, forms, etc.), 3. Music is for a religious, elitist-class performer who evict understand and appreciate its mysterious nature and power, 4. Music is shrink fromed restfully in versed gatherings, 5. Music making is the activity of Everyman, exacting the talents of diversely trained amateurs who, with industry and practice, decorate their recreation and leisure in moments of sociable intercourse.In terms of the technical differences between the art music of early times and that of the modern detail (i.e., after 1600) we can identify tail fin specific features that make post-1600 styles in music sound more or less "familiar."1. Wide-ranging, dynamically expressive tonal melodies are played in equal temperament and generated from logical tonal harmonic progressions. 2. A simple, isometric, and cut back rhythmic range is used. 3. The texture is homophonic, that is, a principal melody landmark with accompaniment. 4. Clear periodic formal structure is favored. 5. The instrumentarium is restricted and standardized.On the new(prenominal) hand, the pre-1600 styles in European art music are based upon the hobby features1. Narrow-ranging, dynamically restrained modal melodies are played in a variety of tuning temperaments that generate an "illogical" modal harmonic succession. 2. An unrestricted range of multimeters, polymeters, and complex rhythms are used. 3. A texture of two or more independent and equally important melodies accompany one some other (i.e., polyphony). 4. The formal c onstruction is often vague and unclear. 5. The instrumentarium is unrestricted and nonstandardized.Early music is chamber music par excellence. Superstar conductors, dramatic symphonic music, and big virtuosic genres such as the concerto, opera, oratorio, and ballet belong to a later period and a different aesthetic. Early music involves a decidedly intimate approach to music making the performers are equal partners who understand the skill of composition and do much more than merely interpret the music of others--they recompose it during rehearsals and performances. In this regard, early music may be considered performer orientated (similar to jazz or Indian classical music). The performer thinks of himself or herself as a "student" (a Liebhaber, i.e., "lover") of music, and must be able to play several different instruments as well as sing.